Stereo Compression, whether used on individual sounds, auxiliary busses or at the stereo output stage, can often work beautifully for dynamics processing. But sometimes - usually on the output mix bus - the dynamics needs of the low end might differ significantly from those in the mid-range or treble. Whenever you want to break a mix down into its component frequency areas and compress them separately, you'll benefit from using Multiband Compression - and this week's episode is dedicated to Logic's Multipressor. Jono is taking a deep dive to see which parameters are available to each band and how they can benefit your mix. It's tutorial time. Grab the drink of your choice... and a biscuit or two.

00:00 Intro
01:14 When is the Multipressor a good choice?
02:04 Looking... ancient
02:43 Understanding Banks
04:05 Solo'ing and adjusting the lower-mid band
05:00 Understanding the needs of different frequency areas
05:53 Understanding Compressor Threshold and Ratio
08:18 Configuring Attack and Release Times
10:55 Make-Up Gain
11:35 Adjusting the other Bands - Bass
12:47 Adjusting Band 3
13:49 Adjusting Band 4
14:47 What are you looking for in each Band?
15:43 Make-Up Gain as frequency-based Volume adjustment
16:21 A word of warning!
17:03 Summary and final track playback