Hey Madhava song | Krishna Bajan | Shakthi | Sakalakala Shakthi
Sakalakala Shakthi Sakalakala Shakthi
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 Published On Jun 25, 2021

Part of 'Sakalakala Shakthi ' - Spiritual Musical Series.

Music Produced, Arranged, Recorded, Mixed, Mastered & Video Edited by Shakthi Kalaalaya

Krishna Bajan - by little Singer Shakthi

Our other offerings are

Azhagana Palani Malai Andava song by Shakthi
   • Azhagana Palani Malai Andava | அழகான ...  

Yeshodai Nandha Gopalane song by Shakthi
   • Yeshodai Nandha Gopalan Song | Krishn...  

Pitha pirai soodi - Sundarar Devaram by Janani & Shakthi
   • Pitha Pirai soodi | Sundarar Thevaram...  

Ramadas kriti by Shakthi
   • Ramadaas kriti | Ye Theerugananu | Ra...  

Bhajan refers to any devotional song with religious theme or spiritual ideas, specifically among Indian religions, in any of the languages from the Indian subcontinent. The term bhajanam means reverence and originates from the root word bhaj , means to revere, as in "bhaja govindam". The term "bhajana" also means sharing.

The term 'bhajan' is also commonly used to refer a group event, with one or more lead singers, accompanied with music and sometimes dancing . Minimally there is a percussion accompaniment such as tabla, a dholak or tambourine. Handheld small cymbals (kartals) are commonly used to maintain the beat, rhythm. A bhajan may be sung in a temple, in a home, under a tree in the open, near a river bank or a place of historic significance.[

As a bhajan has no prescribed form, or set rules, it is in free form, normally lyrical and based on melodic ragas. It belongs to a genre of music and arts that developed with the Bhakti movement. It is found in the various traditions of Hinduism as well as Jainism. Within Hinduism, it is particularly prevalent in Vaishnavism.

Ideas from scriptures, legendary epics, the teachings of saints and loving devotion to a deity are the typical subjects of bhajans.

South Indian bhakti pioneers, but bhajans have been widely composed anonymously and shared as a musical and arts tradition. Its genre such as Nirguni, Gorakhanathi, Vallabhapanthi, Ashtachhap, Madhura-bhakti and the traditional South Indian form Sampradya Bhajan each have their own repertoire and methods of singing.

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