Yes, Flamenco harmony is relatively simple!
I hope you caught up with all the information in the video, sorry if it was fast I didn't want to make the video extremely long.

Now to that topic of Flamenco Harmony, all that I was trying to show in the video was basically the Palo's that are based, "ie: Resolve on the Phrygian Dominant Mode", basically share the same concept of the cadence.

You can do the exact same chord progression, (Simple one I focused on was just the basic Am- G -F - E), and in every key you will have different possibilities by using different chord "Shapes, Positions, and open strings".

I already explained in the video so I don't want to ramble on even more here. I hope that you find it useful in any way or even better, if it actually made you see things a bit simpler when it comes to flamenco harmony.

Take care!
Luciano

00:00 - 01:58 Introduction
01:58 - 04:43 Cadence & Dominants
04:43 - 07:27 Tangos
07:27 - 10:09 Bulerías
10:09 - 13:54 Fandangos
13:54 - 15:43 Seguiriyas
15:43 - 19:18 Taranta
19:18 - 21:28 Minera
21:28 - 22:58 Granaína
22:58 - 23:34 Rondeña
23:34 - 25:42 Soleá
25:42 - 29:18 Conclusion
29:18 - 31:47 My Bulerías Falseta

Played on a:
MANUEL REYES (Blanca)

Recorded with:
SOLERA FLAMENCA STRINGS "Concierto"

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