Indepth Advanced Keying Process for Keylight in After Effects 2024 (Beginner Friendly)
tiedtke. tiedtke.
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 Published On Nov 7, 2021

The key to keying is using multiple keys. Chroma or green screen keying in After Effects 2024 is actually a rather easy and straight forward process and if the footage is somewhat decent, meaning it's evenly lit but MOST importantly was shot with a high shutter speed, getting a clean mask to composite your keyed footage into a new background or CGI environment in Blender is just a matter of following a few simple steps.

Start by masking out the unnecessary elements with a garbage mask to remove C-stands and whatnot. Then split the keying into several keys, minimum two, but preferably three or more keys using the Keylight effect. Then trim the mask using a simple choker and clean it using the Key Cleaner effect. This will result in a actually somewhat good key. You can then improve the mask even more by using the amazing Refine Soft Matte or Refine Hard Matte effects which removes the dark edges around the actor. Then remove the green spill using the Advanced Spill Suppressor.

This method works with both well lit footage and more tricky and complex keys and hair. And using the new and improved multi-frame rendering in After Effects 2024, playback and rendering works a lot better. Hope this help! ๐Ÿ˜Š

See how I combined the footage with CG elements in Blender 3.0:
ย ย ย โ€ขย Real-Timeย Matchmovingย andย Greenย Scree...ย ย 

Timestamps:
๐Ÿ’ก 00:00 Intro to video
๐Ÿ’ก 00:15 tiedtke.
๐Ÿ’ก 00:21 Overview
๐Ÿ’ก 00:55 Garbage Matte
๐Ÿ’ก 01:31 Remove Green Tint
๐Ÿ’ก 03:27 Keylight - Light Green / Highlights
๐Ÿ’ก 05:19 Keylight - Dark Green / Shadows
๐Ÿ’ก 06:39 Simple Choker / Key Cleaner
๐Ÿ’ก 08:38 Refine Hard Matte
๐Ÿ’ก 10:00 Advanced Spill Suppressor
๐Ÿ’ก 11:00 Adding CG Shadows
๐Ÿ’ก 12:30 Extra Tips
๐Ÿ’ก 13:17 Rendering
๐Ÿ’ก 13:50 Outro

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Follow my journey to become a Layout, Modeler and Lighting 3D artist working in the industry.

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๐Ÿ’ป ๐—ฆ๐—ผ๐—ณ๐˜๐˜„๐—ฎ๐—ฟ๐—ฒ:
๐Ÿ”ธ Adobe Premiere Pro
๐Ÿ”ธ Autodesk Maya 2022
๐Ÿ”ธ Blender 3.0
๐Ÿ”ธ Adobe After Effects
๐Ÿ”ธ Adobe Photoshop
๐Ÿ”ธ Foundry Nuke
๐Ÿ”ธ DaVinci Resolve

๐ŸŽฅ ๐—–๐—ฎ๐—บ๐—ฒ๐—ฟ๐—ฎ๐˜€:
๐Ÿ”ธ Sony Alpha A7S III
๐Ÿ”ธ Insta360 One R

๐Ÿ“ท ๐—Ÿ๐—ฒ๐—ป๐˜€๐—ฒ๐˜€:
๐Ÿ”ธ XEEN 16mm T2,6 Cinema Prime
๐Ÿ”ธ Sigma 24-70mm 2.8 ART
๐Ÿ”ธ Takumar 135mm F3,5 M42 mount
๐Ÿ”ธ Helios 44-2 58mm F2 w/ M42 to EF adapter

๐Ÿ’ก ๐—Ÿ๐—ถ๐—ด๐—ต๐˜๐˜€:
๐Ÿ”ธ Aputure LS 300D
๐Ÿ”ธ Aputure LS 120D II

๐Ÿ’ป ๐—˜๐—ฑ๐—ถ๐˜๐—ถ๐—ป๐—ด:
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๐Ÿ”ธ NVidia Geforce GTX 3090
๐Ÿ”ธ NVidia Geforce GTX 1080 TI
๐Ÿ”ธ Logitech MX Master
๐Ÿ”ธ Microsoft Designer Keyboard

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๐Ÿ”ธ Sandisk 128GB 170mb/s SD card
๐Ÿ”ธ Prograde 128GB V90 300mb/s SD card

I've worked 8+ years as a Director of Photography in Sweden, working on projects ranging from feature films to commercials and music videos. Currently studying at Visual Magic in Skellefteรฅ, Sweden. Years active in the 3D industry is about 1 year. Focusing on 3D modeling, layout and lighting which is my passion.

โœ‰๏ธ For any business inquiries, email me at [email protected]
๐Ÿ‘‹ For any personal questions DM me at www.instagram.com/tiedtke

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