"Welcome back to Photogram! If you're passionate about videography and want to take your content to the next level, you're in the right place. Today, we're diving deep into S-Log3 on the Sony FX3—perfect for both beginners and pros. We’ll explore how it compares to other picture profiles, guide you through the essential settings, and even show you how to add some color during your shoot. Let’s get started!"

Section 1: Understanding S-Log3 and Comparisons

"S-Log3 is a game-changer for filmmakers, offering a wide dynamic range that captures more detail in highlights and shadows. But how does it stack up against other profiles like Cine4 and HLG?"

1. *Comparison with Cine4:*
"Cine4 is great for those who want a cinematic look straight out of the camera with minimal post-processing. However, it doesn’t capture as much detail as S-Log3, especially in challenging lighting conditions."

2. *Comparison with HLG (Hybrid Log-Gamma):*
"HLG is designed for HDR workflows, giving you more dynamic range than Cine4 but less flexibility in post-production compared to S-Log3. If you're aiming for the highest quality and don’t mind the extra work in post, S-Log3 is the way to go."

Section 2: Setting Up S-Log3 on the Sony FX3

"Now, let's talk about getting those settings just right on your Sony FX3."

1. *Picture Profile Settings:*
"Navigate to your Picture Profile settings and select PP8, which is set to S-Log3 by default. This profile is ideal for capturing a flat image with maximum detail, perfect for color grading later."

2. *Exposure Settings:*
"When shooting in S-Log3, it's crucial to get your exposure just right. I recommend setting your Exposure Compensation to +1.7 stops. This overexposure helps preserve details in the shadows while avoiding noise. Use the Zebra function set to 94% to monitor your highlights and ensure they don’t blow out."

3. *White Balance and ISO:*
"Set a custom white balance based on your shooting environment to maintain accurate colors. Also, stick to the base ISO of 640 for the best dynamic range, especially in controlled lighting conditions."

Section 3: Adding Color During Shooting

"While S-Log3 is known for its flat look, you might want to add a bit of color while shooting to get a better idea of how your final footage will look."

1. *Using LUTs in Camera:*
"The Sony FX3 allows you to load custom LUTs, so you can preview a color-graded look while filming. This can be extremely helpful for visualizing your final output and adjusting your settings accordingly."

Section 4: Professional Color Grading

"Once you've captured your footage, it's time to bring it to life with color grading."

1. *Color Correction:*
"Start by correcting any exposure or white balance issues using the waveform and RGB parade."

2. *Applying a LUT:*
"Apply a LUT designed for S-Log3 to quickly transform your flat footage into something vibrant and dynamic. Sony's official LUTs are a great starting point."

3. *Fine-Tuning and Secondary Grading:*
"Adjust the contrast, saturation, and sharpness to suit your style. For more precise control, use masks or qualifiers to isolate and adjust specific colors or areas within your shot."

Closing:

"Thanks for tuning in to Photogram! If you found this tutorial helpful, please give it a thumbs up, and if you're new here, make sure to hit that subscribe button. Don't forget to click the notification bell so you never miss an update. Got any questions or tips on shooting with S-Log3? Drop them in the comments below—I’d love to hear from you. Until next time, keep creating amazing content and keep pushing your limits!"

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