In this lesson, I analyze the various bebop line ideas that George Benson uses in his solo over “So What”. I present four examples discussing chromaticism, 3-note approaches, superimposed dominant chords, and more. You'll get great insight into how to add these Benson-isms into your own playing. Click the links below for the free PDF for this lesson and more resources.

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0:00 Intro
0:54 Ex. 1
4:27 Ex. 2
7:26 Ex. 3
8:47 Ex. 4