Lakeside Something About That Woman Bass Tutorial
Ted Talks Bass Ted Talks Bass
25.3K subscribers
7,447 views
0

 Published On Feb 1, 2019

#lakeside #somethingaboutthatwoman #funkfriday

In early 1969, The Nomads met The Montereys, and formed a band and a singing group consisting of lead guitarist and founding member Stephen Shockley, Mark Wood, Tiemeyer McCain, Tony White, and Brian Marbury. The two groups played together in musical revues in the tri-state area of Ohio, Indiana, and Kentucky.

When The Montereys left the Tri-State area later in 1969 to pursue opportunities in New York City, Stephen Shockley and The Nomads remained behind. Mark Wood, the other Nomads, and Stephen Shockley soon added other instrumentalists; the result was The Nomads and The Young Underground. In 1971, The Nomads and The Young Underground took on a new, singular identity: With the addition of Thomas Shelby and sister of Mark Wood's sister Shirley Wood, they became Ohio Lakeside Express.[1] In 1971, the group became acquainted with Eddie Thomas of Curtom, a record label owned and operated by Mr. Thomas and his partner, Curtis Mayfield.[2] Eddie Thomas left Curtom to form his own label: "Lakeside", which he named after the south-side of Chicago. Lakeside, the label, signed Ohio Lakeside Express, the band, with the band soon dropping "Ohio", and ultimately the "Express" as well, in favor of "Lakeside". Eddie Thomas had a number of producers expressing interest in producing an album for Lakeside, but nothing materialized at this stage in their career. That would soon change, as Shirley chose not to pursue her singing career - so they added a new singer named Ricky Abernathy.

At "Mavericks Flats", another of the big-time venues of the day, by now they added another vocalist (Otis Stokes) to replace Ricky Abernathy, and a new percussionist (Fred Lewis). The group was seen by Dick Griffey, a promoter handling successful artists like Stevie Wonder.[1] Impressed by the group, he offered his friendship and advice, and began informally managing Lakeside in early 1974. It was also in 1974 that Lakeside met Frank Wilson and signed a deal with Motown.[1] Things seemed to be looking up for the band. Unfortunately, Motown was promoting/prioritizing other groups, and shelved what they had produced for Lakeside. When Frank Wilson left Motown in 1976 for ABC Dunhill, Lakeside went with him.[1][2]

It was in 1977 that Lakeside's success really started to accelerate. That year, the group, going by the name Lakeside released their self-titled debut album, which featured the single, "If I Didn't Have You". It was also around this time that the group debuted on Soul Train, performing a Beloyd Taylor and Peter Cor composition "Shine On", which helped pave the way for what was to come. As fate would have it the time had come for Lakeside to be a major player in creating the next chapter, with the addition of barefoot drummer Fred Alexander Jr. At this time the group was being approached by Whitfield Records, Motown and Solar Records. In the end, the band chose Solar Records, owned by Dick Griffey, with stable mates The Whispers, Shalamar, Midnight Star, Klymaxx, and Carrie Lucas.[1]



GEAR THAT I USE TO CREATE CONTENT.

Interfaces:
ROLAND GO MIXER – https://amzn.to/2UClh4d

GO MIXER PRO – https://amzn.to/2PxHtZM
Depending on which I have with me at the time.

FOCUSRITE 2i4 – https://amzn.to/2EfflIO

Depending on which I have with me at the time.


Mics:
AUDIO TECHNICA AT2020 – https://amzn.to/2EpNma7


The Copyright Laws of the United States recognizes a “fair use” of copyrighted content. Section 107 of the U.S. Copyright Act states:
“Notwithstanding the provisions of sections 106 and 106A, the fair use of a copyrighted work, including such use by reproduction in copies or phonorecords or by any other means specified by that section, for purposes such as criticism, comment, news reporting, teaching (including multiple copies for classroom use), scholarship, or research, is not an infringement of copyright.”
This video and our youtube channel in general may contain certain copyrighted works that were not specifically authorized to be used by the copyright holder(s), but which we believe in good faith are protected by federal law and the fair use doctrine for one or more of the reasons noted above.
If you have any specific concerns about this video or our position on the fair use defense, please contact us at XXX-XXX-XXXX so we can discuss amicably. Thank you.

show more

Share/Embed