Let’s say you have a few pentatonic licks that you like and you’re good at. But somehow, all the notes in between those licks, STILL sounds too... meandering. How do the likes of Eric Clapton, BB King, Joe Bonamassa make blues licks sound sooo cool?

Part of it is their incredible expressiveness. BUT it’s not only that. Some of their note choices are just so tasty. So juicy! Where do they find these notes? Let’s explore how we can mix together Minor Pentatonic and Major Pentatonic. If we can visualize those two scales, overlapping on the fretboard, we can create a kind of BLUES SUPER SCALE!

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